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Most of the tangos in this anthology correspond stylistically to the period that is known as the Guardia Vieja, which stretches from the beginning to the middle of the 1920’s. The denominations of tango criollo, tango milonga, Argentine tango, classic tango, and tango were used indiscriminately, without implying particular musical differences. These transcriptions and original compositions were mainly addressed to middle class guitar amateurs. Some of the pieces are technically accessible, clearly aimed at the student or beginner level, while others are more demanding, requiring an intermediate to advanced proficiency. Most of pieces in this volume are for guitar solo, with one guitar duo, paginated comfortably to allow for direct reading by two guitarists. Even with the passage of time, the distinction of the tango’s heritage can provide diversion and delight whether played for one’s own enjoyment or for the entertainment of others.